Preserve Opened Wine Without Fancy Gizmos

Sometimes you would like a glass of wine at home… but if you are the only person imbibing, or you and your partner aren’t up for finishing an entire bottle, what do you do with the unfinished portion?

Wine stores and websites will sell you all manner of devices claiming to preserve your leftover wine via various methods of removing air from the partial bottle to prevent oxidation. These usually involve a cork replacement through which either a reverse pump sucks out the air to create a partial vacuum or an inert gas is pumped in to replace the normal air.

But the point of these gadgets is to keep the wine from being in contact with air – so all you need is an appropriately-sized bottle with an airtight closure. This is what I use:

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Planning For And Handling Sudden Blog Notoriety

If you are relatively new to being a public blogger one of your goals is probably to attract a larger readership. But are you ready for the day one of your posts suddenly goes viral?

It happened to me last week – I wrote an article giving my point of view on a topic about Amanda Palmer. She referenced the link in her subsequent social media communications and suddenly I had 4000 page views in 48 hours! Here’s how I prepared for this (in general – you can’t tell what post may go viral) and what I did to manage the resulting visibility:

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Why I Volunteered To Play With Amanda Palmer

The web was abuzz yesterday after a New York Times Arts blogger published this article about how for her current tour Amanda Palmer is soliciting volunteer local string, sax and brass players to perform with her in each city’s show.

Other bloggers piled on bemoaning that musicians should be paid. Facebook threads got acrimonious. People who don’t understand what it actually takes to pull off a tour and album release (never mind Kickstarter rewards fulfillment to nearly 25,000 people) with NO corporate support complained that she was being a cheap “millionaire.” My personal favorite snipe was the person who claimed she “owns an expensive condo in the South End” – they had obviously never been inside the Cloud Club, which is two 4-story narrow brownstones cobbled together out of found objects by owner and outsider artist Lee Barron. He lets upcoming artists live there for free – AP was one of those (and the last time I was in that part of the house she still seems to have rooms there).

The controversy appears to be fueled by people who view AP in the same way they view Lady Gaga – a top-tier famous musician with lots of fans touring a massive show. They may have heard of AP when she was in the Dresden Dolls, they know she tweets a lot (as does Gaga, but AP’s tweeting is several orders of magnitude more), but basically she is seen by non-fans as another greedy (some adding “untalented” since her music is not to their taste) superstar trying to take advantage of fans desperate to have any contact with her.

Add to this that she is recruiting volunteers from instrumental groups most often associated with the Classical genre. Members of this group are more accustomed to getting paid a decent wage for any professional activity – though it’s becoming a different economic world for them recently (several orchestras have locked out their players after failed contract negotiations). Aside from top-tier record company-sponsored bands, Rock musicians hardly ever draw a salary and consider themselves lucky to earn gas money most nights from a club/bar gig.

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Venues To Book Yourself in the Boston Area

Information about some venues which performers can rent and keep the door. I’m sure there are more than this, so please tell me about others in the comments.

Outpost 186 – 186 Hampshire St Cambridge MA (Inman Sq)

  • Size: small room (55 legal capacity, but about 30 with the chairs used). A/C
  • Backline: decent upright Yamaha piano, small PA, some random mics/cables/stands (bring your own to make sure if you need several or are picky), dimmable stage can lights.
  • Cost: currently $75 (as of 2016) for an evening’s rental, or $50/ea for a series of three or more events.
  • Caveats:
    • Access starting at ~6:30pm
    • Door usually at 8pm unless you specify otherwise
    • Must be finished and out by 11pm
    • Read the OUTPOST PRODUCER’S HANDBOOK for other details – You must read this before you produce a show @ Outpost!
  • CONTACT: Rob Chalfen, director: robchalfen@hotmail.com

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