Negotiating is only fun for certain people, of which I am not one. But whenever I’m asked to perform, musically or otherwise, I need to decide if and under what circumstances I want to accept.
I did write a bit about this in my infamous blog post about playing with Amanda Palmer, so here’s a bit more: when I negotiate various offers, my interior dialog/checklist goes something like this (read more in detail about each point after the cut):
-
What are the reasons, if any, I want to do this gig?
-
If primarily for pay, what amount is sufficient for my efforts?
-
If primarily for a non-monetary reason, am I clear what the effort cost to me is and am I willing to donate the relative time/financial difference between that and what, if anything, I will be paid?
-
Is there something other than money I can request as compensation?
-
Am I clear what the finances of the event are, so that I can be clear I’m not the only event supplier donating my time? (e.g., if they are paying a caterer and venue rental, they don’t get a discount from me)
-
Am I comfortable that the person who wants my participation knows what they are doing, has the authority to do it, and has realistic expectations for the event and me?
-
If the request is from someone I know personally, will anything about the above (esp. 5 & 6) or about our relationship make it difficult for me to have a proper business relationship with them, so I should just say I’m not available?
-
Am I prepared to turn down a “better” offer if one arrives after accepting this one?
Read more about each point: Continue reading
